Archive for February, 2009

Friday Night Lights: “Every Rose Has Its Thorn”

13 February 2009
by R.A. Porter

It’s when all the scared rats start running away from a sinking market that the true entrepreneurs come in. The true visionaries.

The Smash Williams Farewell Tour complete, it’s time for Six to take his lap around Dillon. And just like Smash, the start of his story places him on a road out of town. I don’t imagine this arc ending with an ebullient Jason Street, relishing a moment of simple pleasure with his friends before heading off on his life’s journey. Instead I imagine him quietly saying his goodbyes – to family, coach, and Lyla – before following Erin and his baby east.

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Burn Notice: “Bad Breaks”

12 February 2009
by R.A. Porter

burns02e13

No attacking the hosts. No leaving early. No calling the police. I see one cop, I kill three of you. I see two cops, six people die. You can do the math. Now, mess up my party by breaking one of my rules and you can expect me to overreact.

Jason Bly, how I’ve missed you. Don’t get me wrong: Tricia Helfer has been a fun foil1 for Michael, but I thought season one really sparked once Bly came on the scene and that they got rid of him too quickly. Alex Carter has a particular blend of sly wit and intensity that – for my money – pairs up especially well with Jeffrey Donovan’s.

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  1. And, she’s not so bad to look at, either. []

Leverage: “The Juror #6 Job”

10 February 2009
by R.A. Porter

Leverage Episode 110

When I was a kid, I was like eight-years old, I had a foster mom who was a Jehovah’s Witness. Used to dress me up in a suit and a bowtie, take me door to door to spread the word. Black neighborhoods, white neighborhoods, didn’t matter. I would kick, I’d scream, or whatever, but she would say, “Alec, you need to learn to talk to people.” See, everything I learned about people, I learned ringing doorbells in a bowtie. Parker never had that.

You think you know a show…you think they’re pulling out a jury show because they want to save a few bucks and do a bottle episode. And then they whip name guest stars at you with reckless abandon – a Brent Spiner here, an Armin Shimerman there, and what the hell, let’s top it off with a Lauren Holly for good measure – and dress a bunch of sets we’ve never seen before. What I’m saying is, this isn’t your usual jury episode.

It’s a little lighter on the action – not a fireball in sight – than some other episodes, but Jonathan Frakes manages to keep the pace brisk from behind the camera. Even courtroom scenes, which are normally the bane of any action show with all their talky-talky, don’t feel like they’re slowing down the proceedings at all.

By the way, if you didn’t catch our interview with Jonathan Frakes yesterday, be sure to go clicky-clicky right here with your mouse, touchpad, rollerball, or alternate pointy device.

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Interview with Jonathan Frakes about Leverage

9 February 2009
by R.A. Porter

Leverage Episode 110

Tomorrow night’s episode of Leverage, “The Juror #6 Job”, was directed by TV veteran Jonathan Frakes and reunites him with Star Trek alums Brent Spiner, Armin Shimerman, and Kitty Swink. I had a chance to talk with Frakes about his experience on this episode and with the Leverage team in general (he’s directed two episodes so far.) We also talked a bit about the present and future of television.

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Battlestar Galactica: “Blood on the Scales”

7 February 2009
by Kari Geltemeyer

bsg_blood

“The truth is told by whoever’s left standing.”
—Tom Zarek

“I know who you are, Felix. I know who you are.”
—Gaius Baltar

At last a day of reckoning has come, and tyranny brings even more blood than we might have imagined, and not in the ways we might have guessed: the Quorum executed at Zarek’s command, that noble lunkhead Anders shot and possibly dying, renegade lawyer Romo Lampkin taking revenge with his omnipresent pen, and rather nastily at that. (Am I wrong or did he actually gut that marine wide open? I hate to go back and watch it again.) In the end all is resolved and yet nothing is at peace, as we see the cracks have taken hold, that the ship itself is beginning to split apart even as its people are coming back together, however tentatively. Every second of this show carries a weight these days, every lurch forward leading us toward something inevitable, and inevitably more tragic.
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Friday Night Lights: “Hello, Goodbye”

6 February 2009
by R.A. Porter


Y’all think I’m going to talk about Smash, right? Or maybe Matt’s mom coming back into his life like a bad penny? Or Tami relinquishing ground like some Soviet general setting up a pincer for the German army?

I will. I’ll get to that stuff. But first let me tell you how I know this show we love is back.

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Burn Notice: “Seek and Destroy”

5 February 2009
by R.A. Porter

burns02e12_2

Some spy gets blacklisted goes freelance, he could be standing right in front of you; you wouldn’t even know it.

After the incredible highs of the last two weeks, we had to expect we’d eventually have a bit of a let down. Fortunately, this is Burn Notice, where even the off episodes are eminently entertaining. Plus, we can always count on Fiona and the FX guys to give us some tasty explosions.

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Leverage: “The 12 Step Job”

3 February 2009
by R.A. Porter

Episode 109 - The 12-Step Job

My father was an addict, my grandfather. I know how these people operate.

TNT’s done a bit of a number on the order of episodes, shuffling them around for a variety of reasons. Last week’s episode, in fact, was intended to be the third on the air according to John Rogers. But we get serendipity. Nate’s drinking from last week, which seemed a bit out of place because it was more pronounced than in previous weeks, makes a nice precursor to tonight’s full-on addiction problem.

Like any high-functioning alcoholic, as long as Nate’s well lubricated (but not too lubricated) he’s fine. Hence the booze in the soda can first thing in the morning and the ubiquitous tumbler. And like any high-functioning alcoholic, any interruption in the flow can be catastrophic.

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Flight of the Conchords: “The Tough Brets”

3 February 2009
by Kari Geltemeyer

flight460

We should start by rechristening this one “I love Jemaine,” because really, I love Jemaine. And never more so than when something is smacking him in the face. We are both funny that way. Bret, on the other hand, is funny in the way that he’s willing to insult not five but seven famed rap artists in the course of an approximately 26-second number during yet another gig at the local library. (A number that also includes an approximately 1.5-second bass solo by Jemaine and is notable for having only one lyric—“______ is not very good”—and a single variation on that lyric: “But the Rhymenoceros is very, very good.”)

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