Leverage: “The Nigerian Job”
7 December 2008
by R.A. Porter
Nathan: My job is helping people. I find bad guys.
Sophie: Well go find some bad guys. Bad guys have money. Black King. White Knight.
As Nathan Ford sits in an empty lounge waiting for a flight, self-medicating from his stash of mini bottles, he’s approached by Victor Dubenich (Saul Rubinek) with a job. Victor knows quite a bit about Nathan.
Victor runs development at Bering Aerospace and claims five years of development on a new short haul domestic airliner have been stolen by his rival at Pierson Aviation. He’s hired three thieves and needs “one honest man” to take charge of them. Nathan only agrees when Victor tells him Pierson is insured by his old company. This job isn’t just about money: it’s about revenge.
What Nathan doesn’t see is that Victor’s a stone-cold bastard.
The team of thieves is unstable and requires the steady hand of Nathan to keep it from blowing apart. Eliot Spencer, Alec Hardison, and Parker are all thieves Nathan had tracked in his former life and each is a lone wolf with some issues. He manages to corral the cats long enough to steal Victor’s plans from the Pierson computers – in a set piece to rival many movies – and get out. Until the next day, when Victor tells him the plans never arrived.
The team meets at an abandoned Bering facility because they were never paid. After a bit of squabbling, they realize they’ve been setup by Victor and run for the exit, but not quickly enough. Nice practical EFX here, blowing the building up in a nice, meaty explosion, knocking our heroes out. When they come to, they’re in adjoining rooms in a local hospital, handcuffed.
Nathan, as always a step ahead, knows the strengths of each of his team and manages to get them all out. That’s when the fun begins. They could run, but far better to exact revenge on Victor.
Realizing Victor’s running scared, Nathan figures they can take advantage of that and run a game on him. He convinces the others to help him run a con on Victor by appealing to their unique natures. To Eliot, he promises “payback. And if it goes right, a lot of money.” To Parker: “A lot of money. And if it goes right, payback.” Hardison’s the easy sell. He enjoys this stuff.
With one more addition to the team – bad actress but great grifter Sophie Devereaux – they’re set. They use Victor’s arrogance and overconfidence against him, running a scam with *Nigerians*. It’s a clever game, where they let Victor see only as much of it as they need him to in order to think he’s the one in charge. Real Nigerians, slight-of-hand, and an oversold scheme take Victor for everything. The plans are returned to Pierson free of charge and the heroes walk off with buy-an-island money thanks to Hardison’s skill playing the market when Bering’s stock goes into freefall.
But while the money may be retirement money, but these are thieves, people who thrive on the adrenaline rush of the job. They can’t very well walk away. They also can’t walk away from the team. Each of them realizes how much better they were together. So they convince Nathan to stay. He can pick he jobs, he can run the team, they can rob from the rich and…well maybe not *give* to the poor, but help out the downtrodden.
For a premise pilot, writers John Rogers and Chris Downey get all the players in place quickly. Other than Sophie, the team is assembled, and their personalities painted in broad strokes by the 6:30 mark. Eshewing heavy character exposition, additional texture is provided through dialog – the value Parker places on money over revenge, or how Eliot is the one to try talking to Nathan about his son. For a plot-heavy show, there’s some really subtle character work here from all parties.
What did everyone else think?
R.A. Porter is an aspiring television writer who currently toils away in the software mines. He can be found at Sketch War, his personal blog, Tumblr, and stalked on Twitter.Tags: electric entertainment, tnt
posted by R.A. Porter in → Reviews

December 8th, 2008 at 1:17 am
Okay, I liked it a lot, but I have to say…it's got a very "Burn Notice" feel to it. Granted, there doesn't appear to be an underlying "mythology" type of plot like a lot of shows have, including Burn Notice, but using thieves and stuff to make bad guys pay in order to help out the good guys is just like BN.
Overall, I enjoyed it, really liked the characters. Seemed to remind me of the movie Sneakers.
December 8th, 2008 at 1:17 am
Oh yeah, and good to see Gina from Coupling doing something again.
December 8th, 2008 at 2:21 am
Yeah, it's a lot like Burn Notice, but I don't think that's a problem, really. It's still got it's own voice and take on that that genre.
December 9th, 2008 at 1:36 am
Liked this one a lot — Timothy Hutton is always interesting to me.
December 9th, 2008 at 1:50 am
Yeah, he's a genius. What impressed me though, was Aldis Hodge.
But as to Hutton and his performance, read this:
Tim's running through his side of the five-page conversation, with an actor just offstage reading the rest of the parts. The pleasure here is shooting digitally with an actor who likes to take advantage of it. Tim knows there's no way to blow another actor's cue — he's alone. So he'll be performing his lines, and suddenly stop and then rapid-fire deliver five great variant readings, like a musician running through a phrase of music again and again but transposing key and rhythm on the fly.
February 5th, 2010 at 5:18 am
Very nice post I like your site keep up the good articles