Reviews
Deeper, analytical pieces on shows and episodes.
Welcome back, Coach!
I have very little and very much to say about this beautiful season four premiere. Let’s see whether my talky or taciturn side wins, shall we?
When we left Dillon, Coach had been screwed out of his position by Joe McCoy’s machinations,1 banished to the newly reopened East Dillon High as both consolation and punishment. Despite promises of large state grants to both schools, the best talent and lion’s share of the money have been diverted to Dillon.
- I’m sure in his eyes, Coach hoisted himself on his own petard by ignoring precious, perfect JD. [↩]
In what I feel is a welcome sign of artistic growth, Psych has taken to ending its half seasons with episodes that raise the stakes for Shawn and Gus, giving Dulé Hill and James Roday opportunities to stretch their acting legs out a bit. This started with the mid-season finale of season three but the creators really set a high bar with last season’s finale, “An Evening With Mr. Yang.” Going back to that rich vein, tonight’s finale gives us the return of Mr. Yang (Ally Sheedy, pictured above) and her unseen partner in crime, Mr. Yin. This time it’s Mr. Yin’s turn to put Shawn and friends to the test.
Roday does triple duty for this episode, starring and helming from a screenplay he co-wrote. Filled with subtle and not-so subtle homages to Hitchcock, this is the prettiest and most ambitious episode of Psych to date. It also has one of the most touching and peculiar scenes I expect to see on TV this year, something that would feel at home in a Wes Anderson film. And yet it retains its sense of fun throughout.
While I find White Collar to be a decent diversion and continue to watch it each week, it’s failed to make the leap narratively. I’m sticking around because I think Matt Bomer’s got a lot of charm, I love Willy Garson, and I’m a long-time fan of Tim DeKay’s.1 Story-wise, they aren’t treading ground that I haven’t seen on dozens of other shows over the years.
I just don’t care if Neal ever gets back with Kate.2 I’m not sure how much I care about Project Mentor and Fowler and I haven’t found him threatening in the least. Noah Emmerich is a fine actor who can certainly be an intimidating presence and he’s doing what he can with what he’s been given, but there’s just no heat there.
And of course I’m still stinging from the cheap feint over the mid-season cliffhanger.
Over the last three years, Michael Westen has faced his demons, ghosts from his past, and – in Victor – a cautionary tale of his own future. In tonight’s season finale he meets something far worse: himself.
The monster whose crimes fill Michael’s burn notice has been locked in a dark hole, stripped of his freedom and the credit for his evil acts while Michael has roamed Miami. Simon’s life’s work is Michael’s burden. And Simon wants it all back. To that end he spent millions, double-crossed Gilroy, and broke into the bright light of South Florida to force Michael’s hand.
Guest star Garret Dillahunt brings his usual creepiness to Simon, and by moving with dancer’s grace and standing straight as a statue of Lenin, he imbues Simon with a definite Michael Westen-ness. This monster, more than Victor or Dead Larry or Brennan, is what much of the world sees when it sees Michael.
If season two of Mad Men was about long-term bonds and understandings coming to an end, this season looks to be the chaotic aftermath of that. Under conditions of extreme pressure and energy, novel forms blink into and out of existence, quantum states superimpose, and out of the soup new structures crystallize. This is true of societies and communities in the macro world as much as it is true of particles in the subatomic world. Don is doting husband and father/seducer. Joan is counting down the days till she’s gone/manipulating the office with her usual aplomb. The Brits are in charge/are hopelessly out of their league.
First, let’s get the big mystery out of the way…based on the way Betty’s belly looks I’d say we’ve jumped forward about eight months from the end of season two. Enough time for Don and Betty to have come to yet another in their long string of accommodations, for things at Sterling-Cooper to still be in flux, for Harry1 to be much more important, and for Bert to have acquired a lovely piece of tentacle porn to keep his Rothko company. But just little enough time that we can watch as the new world order begins to emerge.
- ! [↩]
This episode was all kinds of wonderful. From Hardison’s wig to Parker’s awkward interactions with people to the tongue-in-cheek homages to the great thrillers of the ’70s, from start to finish: fun. By switching up roles in an effort to allow Sophie to seek some comfort and excitement after her breakup, everyone got a chance to use some of the skills they’ve been developing in their ongoing effort to become more well rounded thieves and grifters. We’ve seen more of this, extending back to the latter episodes of the first season, and each time the writers have found a way to make it interesting. Sophie isn’t a master planner and never will be; it would be far more boring if she slipped into Nate’s role without some trouble. Likewise Parker scamming and Eliot playing computer geek.
If I were to complain about anything it would be that Eliot didn’t struggle enough finding information on Hardison’s interrogator and that Nate seems too comfortable in the midst of a grift. The weight rests on Beth Riesgraf’s shoulders to be the awkward, uncomfortable one when playing a role; I’d like to see a little more of that from everyone but Sophie.
That small grumble aside, this was good.
Edit: I wrote my review off the screener. I should have waited. During the episode, TNT had cross-promotion of Raising the Bar with *Nancy Grace*. An hour in which Leverage bashes her loosely fictionalized stand-in and they put her smug face right there in the middle of it!
For two seasons, I’ve found myself in the awkward position of complaining when my second favorite event on the annual sports calendar comes around because USA would preempt Burn Notice for two weeks. When USA lost the broadcast rights to the US Open to ESPN, the knowledge that Michael, Sam, and Fi wouldn’t be interrupted was the only comfort. You see, ESPN does shitty tennis coverage whereas USA has done kickass work for twenty years.
And then I found out the summer finale was in August anyway. Aarrrrgggh!
Alright. That’s out of my system. The gang will be back in January-ish so tonight’s episode, the episodes I have saved on the Tivo, and seasons one and two are all I’ve got to tide me over. Will it be enough?
Tonight’s episode alone might do it.
We talk all the time but it never feels like you’re actually sharing anything. As great as you are, there’s always a mask. I just don’t know who you really are, Katherine.
Bernie Goddamn Madoff. He takes our money, insults our legal system, makes the sick sicker, and the poor poorer. Turns out he (or someone just like him) also treats his stepson like crap and plots to kill hapless FBI agents. Special Agents Taggert and McSweeten return for their third appearance on Leverage and almost get killed for their efforts.1
Tonight the team stretches itself thin as it steals a school. That’s a tough one but they succeed because Nate knows the one true rule of dealing with the rich and powerful: force them to doubt their mastery. By holding himself out as a recognized authority with a book and method that is well known and revered, he challenges the fuming parents to risk looking ignorant by standing up to him. It’s a basic trick of the conman, salesman, hustler, and writer and works best against the people who should be the least credulous. After that, the rest is gravy.
- If you haven’t already seen it, take a look at this great interview with Gerald Downey and Rick Overton, who play the agents, in ifMagazine. [↩]
I apologize again or my absence the past couple of episodes. But this was a pretty good one to come back to.
Michael’s existence has changed a lot over the past two and a half years. From a closed-off and guarded loner, he’s learned to trust and care about other people in ways that had long been submerged. He’s still broken. But who isn’t? His sexy flirtation with Fiona in the pilot wasn’t about compassion or concern: it was about the raw physical passion between these two lovers. His early interactions with Sam were awkward, even after Sam’s deal with the Feds was in the open. And let’s not forget his idiot brother and insane mother, right?
Except that’s not who those people are. Madeline loves her son, Sam is a loyal friend, Nate really does try, and Fi…well Fi wants Michael’s heart and soul. Have they all changed or is it that as Michael has changed, his perceptions of those around him – and the reflected perceptions we see – have changed? I’d argue for the latter.
I’m not implying this is the authorial intent. These relationships really have matured over time, as a function of the writing and the performances. But try looking at the show as if it is truly and completely Michael’s journey and we are merely passengers seeing the world unfold before his eyes. In that case, we should expect the world he sees/we see to change in ways both small and large. Miami might appear larger and less restrictive. Madeline more nuanced and human. Sam more loyal.
In The Last Temptation of Christ, when Lucifer shows Jesus the world he could have if he faltered – a long, happy life in a verdant world – he tells Jesus that Israel has always been a garden and he had failed to see it as such. On one hand, this is Lucifer’s attempt to tempt Christ, so we know he’s pumping up the saturation of the colors a bit. On the other, we know that Israel is a land of desert and of forest and of gardens and of beaches. Throughout the rest of the film, Scorsese shows us only the desert aspect. Even at the final Seder, in the GARDEN of Gethsemane, the land is dusty and sere. Our perception of the world is intentionally Jesus’ perception.
I suggest looking at Burn Notice in the same vein. See Miami as though we see it through Michael’s eyes. See his friends and family the same way. He is changing.
Which makes his deal with Strickler that much worse.
A dirty, rotten, no good hedge fund manager? I’ve never heard of such a thing!
Tonight’s mark, Eddie Maranjian, was a hedge fund manager of Armenian descent who, naturally, preyed on the weak and walked off with their money. The team is pretty sure he’s got at least $400K liquid stashed away somewhere and offers to help one of the victims. But this is no straight con.
Eddie’s on a plane to a minimum security Federal prison in Florida in an hour. Either the team has to crack him – while guarded by US Marshals – before then or delay his departure. Nate notes that Eddie had a bottle of germ killer at trial and quickly riffs out a plan to delay and crack Eddie at once.
Humor aside, tonight’s episode reminded me most of a classic Mission: Impossible. In a short time the team needs to convince a mark of something wholly untrue to get him to turn over his money. While the cons on the show are usually of short varieties, they are still generally normal cons. The game they played on Eddie by taking him away from all other contact was more on the order of psyops.1 And it was a lot of fun to watch.
- This episode is close kin to last season’s “Comrades” episode of Burn Notice. While watching, I was reminded of the games Sam and Michael played on Ivan to turn him, fundamentally twisting his view of reality. [↩]
