29 March 2011
by R.A. Porter
I’ve been resistant about this, but I do love Noah Wyle. Of course it means keeping fingers crossed that Good Blood Moon er, Blood MoonGood Moon Bloodgood doesn’t stink up the joint like she did in her Burn Notice arc. We’ll see.
18 August 2009
by R.A. Porter
15 August 2009
by R.A. Porter
As much as I love Holly Hunter, I never did get into Saving Grace. However, I know some of my readers are fans and will be saddened by this news.
TNT will conclude the fascinating journey of Oklahoma City Police Det. Grace Hanadarko in 2010, when the network’s groundbreaking original series SAVING GRACE will come to an end. SAVING GRACE will wrap up with a nine-episode run planned for next summer. The provocative drama stars Oscar® winner Holly Hunter (The Piano), who this year received the second of two consecutive Emmy® nominations for her no-holds-barred performance. Hunter also serves as executive producer of SAVING GRACE, along with show creator Nancy Miller (Any Day Now), Gary A. Randall (Any Day Now, Leaving L.A.) and Artie Mandelberg (Leaving L.A., Mr. & Mrs. Smith). For its current summer run, which ends Tuesday, Aug. 18, at 10 p.m. (ET/PT), the show has averaged more than 3.5 million viewers and ranks first in its time period among viewers, households, adults 25-54 and women 25-54.
12 August 2009
by R.A. Porter
This episode was all kinds of wonderful. From Hardison’s wig to Parker’s awkward interactions with people to the tongue-in-cheek homages to the great thrillers of the ’70s, from start to finish: fun. By switching up roles in an effort to allow Sophie to seek some comfort and excitement after her breakup, everyone got a chance to use some of the skills they’ve been developing in their ongoing effort to become more well rounded thieves and grifters. We’ve seen more of this, extending back to the latter episodes of the first season, and each time the writers have found a way to make it interesting. Sophie isn’t a master planner and never will be; it would be far more boring if she slipped into Nate’s role without some trouble. Likewise Parker scamming and Eliot playing computer geek.
If I were to complain about anything it would be that Eliot didn’t struggle enough finding information on Hardison’s interrogator and that Nate seems too comfortable in the midst of a grift. The weight rests on Beth Riesgraf’s shoulders to be the awkward, uncomfortable one when playing a role; I’d like to see a little more of that from everyone but Sophie.
That small grumble aside, this was good.
Edit: I wrote my review off the screener. I should have waited. During the episode, TNT had cross-promotion of Raising the Bar with *Nancy Grace*. An hour in which Leverage bashes her loosely fictionalized stand-in and they put her smug face right there in the middle of it!
5 August 2009
by R.A. Porter
We talk all the time but it never feels like you’re actually sharing anything. As great as you are, there’s always a mask. I just don’t know who you really are, Katherine.
Bernie Goddamn Madoff. He takes our money, insults our legal system, makes the sick sicker, and the poor poorer. Turns out he (or someone just like him) also treats his stepson like crap and plots to kill hapless FBI agents. Special Agents Taggert and McSweeten return for their third appearance on Leverage and almost get killed for their efforts.1
Tonight the team stretches itself thin as it steals a school. That’s a tough one but they succeed because Nate knows the one true rule of dealing with the rich and powerful: force them to doubt their mastery. By holding himself out as a recognized authority with a book and method that is well known and revered, he challenges the fuming parents to risk looking ignorant by standing up to him. It’s a basic trick of the conman, salesman, hustler, and writer and works best against the people who should be the least credulous. After that, the rest is gravy.
29 July 2009
by R.A. Porter
A dirty, rotten, no good hedge fund manager? I’ve never heard of such a thing!
Tonight’s mark, Eddie Maranjian, was a hedge fund manager of Armenian descent who, naturally, preyed on the weak and walked off with their money. The team is pretty sure he’s got at least $400K liquid stashed away somewhere and offers to help one of the victims. But this is no straight con.
Eddie’s on a plane to a minimum security Federal prison in Florida in an hour. Either the team has to crack him – while guarded by US Marshals – before then or delay his departure. Nate notes that Eddie had a bottle of germ killer at trial and quickly riffs out a plan to delay and crack Eddie at once.
Humor aside, tonight’s episode reminded me most of a classic Mission: Impossible. In a short time the team needs to convince a mark of something wholly untrue to get him to turn over his money. While the cons on the show are usually of short varieties, they are still generally normal cons. The game they played on Eddie by taking him away from all other contact was more on the order of psyops.1 And it was a lot of fun to watch.
22 July 2009
by R.A. Porter
Christian Kane is in the spotlight this week with his meatiest episode since last season’s “The Two-Horse Job”. And while that episode gave us a picture of his past, this one does more to show us the struggle that pushed him to leave home to begin with.1 Eliot’s impassioned defense of MMA to Sophie told us more about the man he is and why he would choose to keep doing good than all his prior conversations combined.
This was a good one. Keep reading to see how good.
15 July 2009
by R.A. Porter
Bad things happen to good people. And on TV, interesting bad things happen to and/or near main characters. Timothy Hutton – and by extension Nate Ford – only has a few years on me; perhaps in the next decade or so a sabotaged car will career toward me and flip in the air, landing feet away from me. I can hope.
Significantly, while the inciting event for the second season premiere of TNT’s Leverage stretches plausibility, everything that follows is organic and believable. It doesn’t matter how outlandish the start as long as the succeeding drama is real.1
In my preview of the new season I discussed the general situation of the Leverage Group: cast to the four corners at the end of last season, they’ve all been adrift and purposeless. The thieves no longer get a thrill from crime, having been infected by Nate and his push to do good. As for Nate, he’s on the wagon (and living above a bar) about to take a staid and very boring job at a Boston insurance firm when he runs.
Just as the rest of the team has been cursed to want to do good, he’s been cursed to seek out the thrill and can’t stomach the thought of cube life. On his way to drown his sorrows, Kerrigan’s sabotaged car flies toward him. Nate doesn’t move. He’s consigned to his fate, whatever that might be. But when the car lands he jumps into action, alive and still kicking.
13 July 2009
by R.A. Porter
After last season’s very big, very destructive finale, the Leverage Group disbanded and went to the four corners. Their operation was in ruins and their names and faces were exposed to the authorities by Jim Sterling; going underground was the logical move.
We return six months later in Boston. Nate has accepted a job working in insurance again and is being taken on a tour of the company’s offices when the walls close in and he runs. Runs right into a case made for the team, if only he were interested in getting the band back together.
13 July 2009
by R.A. Porter
I’ve been a fan of Dylan McDermott since way back. Back when I couldn’t quite keep my Dylans and Dermots straight1 I still knew when I saw him that I’d probably enjoy whatever he was doing. I put up with The Practice long past its DEK half-life,2 when it had degraded into a self-referential stew of inanity, because of his dark, brooding charm.
So I was looking forward to his take on a broken cop, walking the line between law and lawlessness in LA’s dark underbelly with a good deal of anticipation. That, despite coming from Jerry Bruckheimer and a slew of his disciples – five executive producers and a co-EP. I knew it would be slick and fast and loose with reality but hoped McDermott would keep it afloat.
TNT has done a good job to this point of rolling out shows that fit tonally. Even when they broke the pattern of “woman tougher than the men around her” shows to air Leverage, it wasn’t with a deep, dark show. This time I think they’ve pushed the envelope a bit much, as this makes a very uncomfortable pairing with Leverage on Wednesday nights.
But how was the show?
