{"id":8425,"date":"2009-07-13T17:35:38","date_gmt":"2009-07-14T00:35:38","guid":{"rendered":"http:\/\/wwwold.dreamloom.com\/?p=8425"},"modified":"2009-07-13T17:35:38","modified_gmt":"2009-07-14T00:35:38","slug":"dark-blue-premieres-on-tnt","status":"publish","type":"post","link":"https:\/\/www.dreamloom.com\/?p=8425","title":{"rendered":"Dark Blue premieres on TNT"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-8426\" title=\"darkblues1preview\" src=\"http:\/\/www.dreamloom.com\/wp-content\/uploads\/2009\/07\/darkblues1preview1.jpg\" alt=\"darkblues1preview\" width=\"350\" height=\"471\" \/>I&#8217;ve been a fan of Dylan McDermott since way back. Back when I couldn&#8217;t quite keep my Dylans and Dermots straight ((I&#8217;m <a href=\"http:\/\/www.fametracker.com\/2_stars_1_slot\/mcdermott_mulroney.php\">not the only one<\/a>.)) I still knew when I saw him that I&#8217;d probably enjoy whatever he was doing. I put up with <em>The Practice<\/em> long past its DEK half-life, ((The number of episodes it takes until half the ideas are still original and half are rehashes of <em>Ally McBeal<\/em> and <em>Picket Fences<\/em> story lines, a value calculated by telephysicists at Fermi labs using science to be 21 episodes.)) when it had degraded into a self-referential stew of inanity, because of his dark, brooding charm.<\/p>\n<p>So I was looking forward to his take on a broken cop, walking the line between law and lawlessness in LA&#8217;s dark underbelly with a good deal of anticipation. That, despite coming from Jerry Bruckheimer and a slew of his disciples &#8211; <em>five<\/em> executive producers and a co-EP. I knew it would be slick and fast and loose with reality but hoped McDermott would keep it afloat.<\/p>\n<p>TNT has done a good job to this point of rolling out shows that fit tonally. Even when they broke the pattern of &#8220;woman tougher than the men around her&#8221; shows to air <em>Leverage<\/em>, it wasn&#8217;t with a deep, dark show. This time I think they&#8217;ve pushed the envelope a bit much, as this makes a very uncomfortable pairing with <em>Leverage<\/em> on Wednesday nights.<\/p>\n<p>But how was the show?<\/p>\n<p><!--more--><\/p>\n<p>I found the pilot an awkward and unpleasant affair but thought the second episode was <em>just<\/em> enough of an improvement to give the show a (short) chance.<\/p>\n<p>McDermott plays Lt. Carter Shaw who runs &#8220;a unit that doesn&#8217;t technically exist&#8221; of undercover officers. He used to do deep cover work himself and it effected him greatly. While that&#8217;s a fairly common trope, it could still be interesting if it were used to say something new or deep about the human condition. In this case, it feels like a character checkbox was filled in. That might change in the future; right now it&#8217;s hackneyed.<\/p>\n<p>Shaw&#8217;s team is small. Tiny, in fact. He&#8217;s got one officer under cover and a second who just came off a long assignment and is on R&amp;R at home with his wife. When an FBI agent is shot and left for dead on the side of the road, the heat is turned up on Shaw&#8217;s man inside, Dean Bendis (Logan Marshall-Green). The FBI has to dig deep to break through Bendis&#8217; cover and tie him to Shaw. Meanwhile, Shaw recruits a new fourth for the team, Jaimie Allen (Nicki Aycox), a patrol cop who has fabricated a past to cover up her criminal youth.<\/p>\n<p>So, we&#8217;ve got a team of four &#8211; a player-manager and three cliches &#8211; with no tactical support and apparently only one man in all of the LAPD who knows they exist. This stretches credibility to the breaking point and telegraphs the big mid-season\/end-of-season event&#8230;<em>When their captain is shot and falls into a coma, the team is left out in the cold!<\/em><\/p>\n<p>Yeah, I&#8217;m picking. The show, as written, is dark in the way many comic books of the &#8217;90s were dark, ie: dark for the sake of it. The characters are humorless, there is a deep undercurrent of paranoia in each player&#8217;s actions, and its claims on realism are countered by the unreality of the setup.<\/p>\n<p>Those claims are most tellingly countered by the episodic nature of the show. I don&#8217;t know if it was a decision on the part of the creators or of TNT, but having deep cover agents finish assignments in one episode&#8217;s time is inane. Had the creators taken a look at the greatest show about an undercover operative ever &#8211; <em>Wiseguy<\/em>, for those of you too young to have basked in its glory &#8211; they might have considered adopting the long arc model to give us an opportunity to get to know the characters and the pressures they&#8217;re under over time. Instead we get shorthand and lazy characterization.<\/p>\n<p>Lazy, like Ty Curtis (Omari Hardwick) slipping out to see his wife <em>in the middle of an assignment<\/em>. Which stupidity is actually the driving engine for the plot of the second episode. It&#8217;s a credit to the actors and a fine guest turn by Gregg Henry that I found the second episode less grating than the pilot, despite the <em>Shield<\/em>-light ((Carter Shaw is Vic Mackey, Dean is Shane, Ty is Curtis&#8230;)) behavior of the team.<\/p>\n<p>Like I said, there was a noticeable uptick in quality from the pilot to the second episode and I&#8217;m willing to give the show a few more weeks to try to show me it has something important or original to say. I just don&#8217;t know if they&#8217;ll get there.<\/p>\n<p><em>Dark Blue<\/em> premieres Wednesday at 10 p.m. (ET\/PT) on TNT.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;ve been a fan of Dylan McDermott since way back. Back when I couldn&#8217;t quite keep my Dylans and Dermots straight ((I&#8217;m not the only one.)) I still knew when I saw him that I&#8217;d probably enjoy whatever he was doing. I put up with The Practice long past its DEK half-life, ((The number of [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"activitypub_content_warning":"","activitypub_content_visibility":"","footnotes":""},"categories":[7],"tags":[45,81],"class_list":["post-8425","post","type-post","status-publish","format-standard","hentry","category-reviews","tag-jerry-bruckheimer","tag-tnt"],"_links":{"self":[{"href":"https:\/\/www.dreamloom.com\/index.php?rest_route=\/wp\/v2\/posts\/8425","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dreamloom.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dreamloom.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dreamloom.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dreamloom.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8425"}],"version-history":[{"count":0,"href":"https:\/\/www.dreamloom.com\/index.php?rest_route=\/wp\/v2\/posts\/8425\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.dreamloom.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8425"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dreamloom.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8425"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dreamloom.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8425"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}